![]() ![]() No one argues that Warren Zevon is a gifted singer and songwriter, but Stand in the Fire proves that, when he wants to, he can also rock with the best of 'em. The set list is dominated by Zevon's better-known tunes of the period, though there are two otherwise unrecorded originals (the OK title cut and the blazing "The Sin"), and a rave-up encore on "Bo Diddley's a Gunslinger" that revels in the joyous surrealism of the lyrics, and if one might have hoped for a more imaginative selection of material, these guys nail everything on deck. The excitable boy was quite a songwriter, and these tracks prove it. 1993's Learning to Flinch may display Warren's instrumental virtuosity even better, but Stand in the Fire is the gold standard for pure rock. And the artist proved he was a superb rock & roll frontman on this tour, singing with mean-spirited glee (for a change, "Werewolves of London" and "I'll Sleep When I'm Dead" sound just as menacing as they were meant to be) and spewing hilarious bile at every turn (his ad-libbed "the Ayatollah has his problems, too" on "Mohammed's Radio" alone is worth the price of admission). This record displays Zevon's songwriting ability, bizarre sense of humor, and his sheer rock power better than any other album. The musicians (anchored by flashy lead guitarist David Landau) pour out these tunes with plenty of fire, and the songs rock a lot harder than anything Zevon had summoned in the studio at that point. The album was dedicated to Martin Scorcese. It was recorded during a series of performances at The Roxy Theatre in West Hollywood, California and featured two new original songs ('Stand in the Fire' and 'The Sin') and one new cover ('Bo Diddley's a Gunslinger'). Stand In The Fire ( 8-Track Cartridge, Album, Club Edition) Asylum Records. ![]() 1993's Learning to Flinch may display Warren's instrumental virtuosity even better, but Stand in the Fire is the gold standard for pure rock. Stand in the Fire is a live album by American singer/songwriter Warren Zevon, released December 26, 1980. Anyone who saw Zevon on what he called "The Dog Ate the Part We Didn't Like Tour" can attest to the fact he was in superb form, playing music that rocked hard while displaying intelligence, passion, and a sharply corrosive wit, and Stand in the Fire, recorded during a five-night stand at L.A.'s Roxy near the end of the tour, captures Zevon and his band at their peak. This record displays Zevon's songwriting ability, bizarre sense of humor, and his sheer rock power better than any other album. His most famous compositions include Werewolves Of London, Lawyers, Guns and Money, and Roland The Headless Thompson Gunner, all of which are featured on his third album, Excitable Boy (1978) the title track also being well-known. While his songs long had a dark and frantic undercurrent, Zevon was now capable of playing a no-holds-barred rock show where he could bring the sharper edges of his music to the forefront. Warren William Zevon was an American rock singer-songwriter and musician. (Here he namechecks James Taylor and Jackson Browne.) Since the one complaint of the original release was its brevity, the 2007 reissue nicely expands the show with four bonus cuts, including solo piano renditions of “Frank and Jesse James” and “Hasten Down the Wind” where Zevon sounds appropriately well-worn.After the release of Warren Zevon's fourth album, Bad Luck Streak in Dancing School, he was clean and sober for the first time in years, and on-stage he was determined to make the most of his newfound strength and self-control. Label: Warner-Pioneer Corporation P-10954Y. Though Zevon’s writing is notable for its economy, its magic is often contained in his emphatic delivery, which is given an added dimension when performed before an enthusiastic audience. Stand In The Fire (2007 Remastered Live Version) 3:38 Jeannie Needs A Shooter (2007 Remastered Live Version) 4:12 Excitable. Though in his later years Warren Zevon became best-known as a ‘songwriter’s songwriter,’ this live album from 1980 recorded over five nights at the Roxy in Los Angeles proves he was once a ‘rocker’s rocker.’ With guitarist David Landau and a seasoned-but-scrappy pick-up band from Colorado adding a terse edge, a newly-sober Zevon delivers powerful performances that range from the obvious (“Werewolves of London,” “Excitable Boy”) and the previously unreleased (the title track, “The Sin”) to the most deserving (“Jeannie Needs a Shooter,” “I’ll Sleep When I’m Dead”) and primal (“Bo Diddley’s A Gunslinger / Bo Diddley”). ![]()
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